Unfortunately, due to some recent events in my professional life over which I had absolutely no control, I have found it necessary to remove from my blog certain orchestra events and photos I have posted over the past 3 years, a rather turbulent time in the history of the Shreveport Symphony. For me, wasted effort? I'm still weighing that one out. In fact, there are around 55 posts and several pages that are no longer included on my blog. Why? You may ask!
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I am a professional musician and have been since I was 9 years of age, (I was a professional singer in my family sister trio act, and BTW, my sisters were also talented Horn players), but my options have never been made more clear to me than a week ago when I determined that there were some who wished to have me removed from the SSO for what I think is no less and no more than what others have done before me. Surely, I thought, my transgressions (if there ever were any) cannot be more obtrusive than certain others around me . . . . . . . . after all, we all have our bad days and good days as players. Surely a contract (supposedly issued in good faith) cannot be rescinded 2 months after it has been issued to and signed by a tenured player.
Unfortunately, however, some VERY UNIQUE LANGUAGE "popped up" in the 2010-2012 MCBA (a copy of which has yet to be seen by most of our orchestra members, including me at that time), which allows a musician to be terminated even after an Individual Contract (or Letter of Intent in a negotiation year) has been signed by both parties. This language is new to me; I had never seen it until recently. How did it get there? Why? And who wrote it? This master contract was written during our "Summer of Discontent", 2010 and there were many versions of it, one of which apparently was signed by both negotiating parties.
This language regarding termination and appeals must be changed, corrected and clarified in our next Collective Bargaining Agreement to protect our musicians and the integrity of our symphony orchestra.
As for me, I am currently COLLATERAL DAMAGE, caught in this vice grip of unintended LANGUAGE which is slowly squeezing and testing my artistic patience.
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